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Making the Hallie

Aleah trims a Hallie on the wheel. Quittner.

Quittner is a design practice invested in the process of production. We manufacture all of our pieces in-house, sometimes with the help of local partners. The Hallie starts as porcelain slip — a mix of porcelain clay and water — and is formed in a plaster mold. It's trimmed by hand on the wheel, and set to dry. Once bone dry, it is fired for the first time. Glaze follows, then a second firing. Each firing takes a minimum of 30 hours, and the entire process of production can span more than two weeks depending on the humidity and temperature in the studio. 

All of this is overseen and led by Aleah Stewart-Souris. Aleah (Associate Designer, Ceramics) is both an artist and a technician. With a background in production pottery for restaurants and years of making custom designs for hospitality interiors, Aleah knows how to finesse small details and trouble-shoot when things get...let's call it spicy. 

Working in porcelain has a way of throwing curveballs, and Aleah is able to keep her cool when the temperature rises. Sometimes this means an entire kiln-load is essentially fancy-looking rubble, and yet she manages to see through the mess to find solutions. 

Below, we've shared a photo-narrative of the Hallie process from liquid slip to a porcelain form to the perfect light for your home. Shop the Hallie, and explore other Quittner offerings, here

Aleah pours the porcelain slip in to the Hallie mold
Above, the original Hallie form, a mid-century milk glass form,  can be seen sitting out on the work bench as Aleah pours a mold that was created based on that form. Aleah doesn't usually have spills, but the presence of a camera has a way of making mistakes happen!
Hallie porcelain mold for Quittner
The mold sit for anywhere from 20 to 45 minutes, depending on the weather conditions that day. 
Removing the Hallie form from the mold Quittner
When the mold is ready to release, Aleah removes the form.
Aleah trims the Hallie form on the wheel
The next step is trimming away the excess from the mold, and adding a few details. 
A glazed Hallie form on the workbench, ready to be wired. Quittner.
This black form is one of our classic color options, and is now ready to wire. 
Hallie in the process of wiring in the workshop, before testing and packing. Quittner.
We design our lights to be beautiful, functional, and repairable for decades to come — if not longer. 
The black Hallie, installed. Quittner.
The final product, installed in a Hudson Valley home.
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